Erika Ragazzi – Violinist
My artistic vision is driven by the desire to build a sensory bridge between the heritage of classical music and the limitless possibilities of modern technology. It is not simply about performance, but about an ongoing journey of exploration that weaves together past, present, and future into a single sonic ecosystem.
INVASIONS
The album Invasions is a journey through the paths of musical perception, leading to an inner dialogue and a dialogue with the composer. The violin, like Virgil guiding Dante, becomes a guide through this “electronic” world in which the tendency toward human alienation grows ever more pronounced.
Each piece travels through and explores different landscapes, musically reinterpreting techniques drawn from painting, literature, theatre, and philosophy.
The invasions narrated through music are not physical but ideological—first and foremost, the digital invasion. Humanity has become alien even among its own kind, alien to itself. It attempts to understand itself, yet is constantly invaded and distracted in order to remain a captive of the system.
Invasions aims to be a formative album, inspired by the tradition of the Bildungsroman. The protagonist—embodied by the solo violin—becomes like Ulysses, who during his return journey discovers a new world: losing oneself in order to find oneself again. Each piece represents an episode of the nostos, the journey home.
The protagonist also finds itself both invader and invaded within a mechanism of shifting roles that transforms the person into a character, and the violin-actor into an idea.
Electronics and classical form merge, creating a sonic mirror in which the violin’s theme is reflected and transformed.
The violin narrates the story and becomes the characters, as if it were a musical Homer.
Tracks: Explanation of the Pieces
1. Adagio (3.20)
2. 2 face of love * (3.40) * Electric Violin - Five Strings.
3. Druide (3.36)
4. Green vision (3.14)
5. Sea song (3.12)
6. Skills (3.41)
7. Eschatology (4.55)
8. Warriors (3.33)